Arenson, Karen W. "For art history scholars, illumination is a click away." The New York Times 14 Aug 2004. http://select.nytimes.com/search/restricted/article?res=FB0D11FF3E5B0C778DDDA10894DC404482 This article is only accessible to subscribers of TimesSelect

• A business article about the creation of Artstor and the reasons why it is necessary in the first place.

Benedetti, Susannah, Hayes, Sherman and Wu, Annie. "Art in a medium-sized university library: acquisition, cataloging, and access issues: challenges and opportunities." Library Resources & Technical Services 48.2 (2004): 144-54.

• A library at UNC decides to catalog and digitize its art. This paper outlines the entire process from start to finish.

Bunting, Lynda. “Technical and Intellectual integration of Library and Museum information: Afterthoughts of two session organizers.” Art Documentation 23:2 (2004): 36-9.

• Certain museums have begun testing integrated access to object and bibliographic records within a single search mechanism in order to help art researchers find text, primary materials and images at one time.

Hepburn, Peter and Fiscella, Joan B. “Constructing descriptive records for an art image database: what do statistics tell us?” College and Research Libraries 67.4 (2006): 334-53.

• Using AMICO as a subject, two researchers try and determine the factors that affect image retreival. They then suggest ways of creating better (more retreivable) image records.

Jespersen, Headier P. and Jespersen, John K. “The Problem of subject access to visual materials.” Journal of Educational Media & Library Sciences 42.1 (2004): 37-48.

• This article discusses the problem of giving subject access to art images; specifically cataloguing, describing and indexing works of art.

Marmor, M. The ArtSTOR Digital Library: A Case Study in

Collection Building. Collection Building, 25.3(2006): 95-99.

---------. ArtSTOR: A Digital Library for the History of Art.

Journal of Library Administration, 39.2 (2003): 61-68.

Mirapaul, Matthew. "Far-flung artworks, side by side online." The New York Times 22 May 2003. <http://movies2.nytimes.com/mem/movies/review.html?res=9C00EFDC1F3EF931A15756C0A9659C8B63> This article is only accessible to subscribers of TimesSelect

• This briefly discusses the benefits of AMICO and Artstor, noting that Artstor had enfolded AMICO in a 2003 merger.

Rockenback, Barbara and Marmour, Max. "Artstor’s digital landscape." Library Journal 130.12 (2005): 34-7.

• An in depth argument for the necessity of Artstor, especially for academics, written by two employees of Artstor.

Roncevic, Mirela. "Using Artstor." Library Journal 130.12 (2005): 34-7.

• A review of Artstor from a librarian’s point of view. Quite a few quotes from art librarians.

Simor, Suzanna. “Visual Art resources online: issues, trends and challenges.” Art Documentation 22.1 (2003): 33-40.

• This article discusses the recent growth of online visual materials and what components will be necessary to create valuable and easily useable online (or database) collections.

Trant, Jennifer, Richmond, Kelly and Bearman, David. "Open concepts: museum digital documentation for education through The Amico Library." Art Libraries Journal 27.3 (2002): 30-37.

• An article about the now defunct AMICO database. Good examples of why digital libraries are becoming more and more necessary, as well as interesting information on the things that go into creating a digital database.